Women's Voices; Living Room Art, Voices Breaking Boundries; Sixth Ward, Houston.

A historical Sixth Ward home hosts "Women’s Voices: Honoring Alice Valdez and Sheema Kermani".
For more see - http://www.vbbarts.org/calendar.shtml

5 minutes of Emancipation; Life Is Living; Emancipation Park, Houston.

The Mitchell Center, in partnership with artist-in-residence Marc Bamuthi Joseph, the Living Word Project and Youth Speaks, Inc., hosted Life Is Living Houston, a hip-hop-based environmental justice festival. Focused primarily on Houston's Third Ward neighborhood, the festival further connects University of Houston with its surrounding community and celebrates the extraordinary people who sustain the cultural life in and around the Third Ward.

t-b (1) Emancipation Park; Houston. (2) Aquaponics display by Keba Armand Konte (3) Live graffiti display on 20 car-hoods

Dig deeper - http://www.lifeisliving.org/

Happy Halloween in Houston

t-b Logan; aged 4 named after Wolverine from the X-men. He's dad is die hard fan.

(centre) Jason. Inflatable pumpkin/ghost chocolate dispenser.

Launch of www.WeddingsbyAlefiya.com

Please Visit - www.WeddingsbyAlefiya.com

Gonzo - at the Collector's Eye Opening; Fotofest

Beach Batik - Buddhi Batiks

Model - Romanthi Maria Colombage

Client - Buddhi Batik

POKE! Artists and Social Media - A Fotofest Exhibition, Houston, USA

POKE! explores the inter-personal intentions of social media technology and the nature of modern internet-mediated relationships with work that references and uses source material from popular online social media websites such as Facebook, Flickr, Twitter, Craigslist, and YouTube.

Penelope Umbrico, Suns from Flickr, 2006-2007

Christopher Baker (Minneapolis, MN) compiles a wall full of personal, diarist messages by teenage users of YouTube and Facebook. The wall-sized video installation is a cacophonous monument to the individual’s voice and the confessional nature of self-made video.

Penelope Umbrico (New York, NY) obsessively appropriates images from Craigslist, where merchants selling second-hand televisions make unwitting self portraits of themselves. These images of TVs, branded with their owners faces, are reproduced life-sized and sold for the same price as their real-life counterparts, questioning the worth of the consumable (the TV) and the original (the photograph).